Boys Go To Jupiter Review: Florida, Aliens, Oranges, and a Lot of Weirdness

Credit: Tribeca Film Festival

Okay, so imagine this: you’re in Florida. Not the touristy, palm-tree postcard Florida — I’m talking back roads, strip malls, juice stands with peeling paint, and humid air that sticks to you. Now sprinkle in a jelly-like blue alien, a food delivery guy, and a juice tycoon who might be a little bit evil. That’s the bizarre, neon-colored world of Boys Go To Jupiter.

This Boys Go To Jupiter Review is basically my attempt to make sense of the wild ride that director and 3D animator Julian Glander has created. And trust me, “making sense” is generous here, because half the fun is how nonsensical it all is.

What’s Going On Here?

Our main guy is Billy 5000 — yes, that’s actually his name — voiced by Jack Corbett. Billy’s a high school dropout with one mission: make $5,000 delivering food for an app called “Grubster.” No fancy hero’s journey here, just a dude hustling to hit his target so he can… well, just keep going, I guess.

Along the way, Billy meets Donut. Not a snack — an actual alien shaped like a donut. Bright blue, gelatin-y, and kind of adorable in a weird way. Donut is on the run from Dr. Dolphin, a juice factory boss voiced by Janeane Garofalo. And Dr. Dolphin? She’s not after Donut because she wants to be friends.

If you’re expecting a classic E.T.-style “boy saves alien” story, pump the brakes. This isn’t that. The movie wanders — and I mean wanders. Billy will be chasing a delivery one second, and the next, he’s stuck in a deep conversation about life with a hot dog stand guy off the highway. Then suddenly there’s a lo-fi music video about the power of eggs. It’s the kind of randomness you either vibe with or you don’t.

The Gig Economy, But Make It Sad-Funny

One thing I really noticed while putting together this Boys Go To Jupiter Review is how much the movie digs into the gig economy — you know, that “hustle till you collapse” kind of life.

Grubster isn’t exactly the dream job. Workers can’t talk to customers directly. They have to parrot corporate catchphrases like “Grubby!” every time they hand over an order. It’s funny, but also kind of depressing — like someone exaggerated reality just enough to make you laugh, then suddenly you realize, “Oh wait, this is already real life.”

There’s also this great little moment where Dr. Dolphin’s daughter, Rosebud (voiced by singer Mia Folick), hands Billy a book about capitalism. He “gets” the whole thing in about five seconds flat. It’s played like a joke, but it’s also saying exactly what it wants to say about work, money, and how broken the whole system feels.

Proudly, Unapologetically Weird

The more I thought about this Boys Go To Jupiter Review, the more I realized the movie isn’t trying to please everyone. And that’s a good thing.

Billy might be trapped in the grind, but the film itself doesn’t follow any rules. The voice cast is stacked with offbeat comedians — Sarah Sherman, Julio Torres, Cole Escola — who bring this chaotic, slightly surreal energy to their lines. It feels like everyone’s in on the fact that this is supposed to be a little awkward, a little clumsy, and 100% strange.

And then there’s Glander’s animation style. Imagine if a video game from 2004 got stuck in a neon candy store overnight. Everything is plasticky, blobby, and almost too bright. It doesn’t want to be “realistic” — in fact, it leans hard into looking fake. That choice gives the whole thing a playful, toy-like vibe, like you’re wandering through a world that knows it’s a world.

The Music Is Its Own Character

Let’s talk soundtrack, because this is where the movie really leans into its identity. Glander throws in lo-fi, slightly awkward musical numbers at random moments. One is basically a love letter to side hustles. Another lists an alien’s favorite Florida snacks. None of them are slick, overproduced Disney-style songs — they’re more like the kind of tracks your cool art school friend uploads at 2 a.m.

It’s all part of what makes the film feel like you’re just hanging out inside someone’s bizarre daydream.

The Joy of Not Rushing Anywhere

By now you can probably tell from this Boys Go To Jupiter Review that the movie doesn’t care much about “staying on track.” If you’re looking for tight storytelling, this is going to feel loose. Maybe too loose for some. But honestly? That’s the charm.

You know those late-night drives where you have no destination and you just end up stopping at random gas stations, talking to strangers, noticing weird little signs on the side of the road? That’s this movie. You’re here for the ride, not the finish line.

What Makes It Different

We’ve got plenty of animated films out there that aim for hyper-realistic visuals or follow a safe, familiar template. Boys Go To Jupiter is the opposite. It feels handmade, almost like an indie zine in movie form.

It even had its premiere at the Tribeca Film Festival, which makes perfect sense — this is a “festival movie” in the best way. It’s the one people talk about afterward because it’s just so… different. There’s no release date yet, but when it drops, you’ll know.

Who’s Going to Love This?

To wrap this Boys Go To Jupiter Review up, I’ll be real: this is not a movie for everybody. If you want a clean, polished plot that hits all the beats you expect, skip it.

But if you like oddball humor, dreamy visuals, and the kind of storytelling that feels like flipping through someone’s sketchbook, you’re going to have a great time. It’s especially for people who notice little details — the glow of a neon sign in a puddle, the awkward silence before a conversation starts, the way Florida heat makes the air shimmer.

It’s also a sly commentary on how we work now — overworked, underpaid, smiling through the nonsense because that’s what the app tells us to do.

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Final Thoughts

In the end, Boys Go To Jupiter is part satire, part dream, and part random collection of moments that somehow fit together. Julian Glander builds a world you can almost smell and feel — fake, bright, humid, and buzzing with weird energy.

This Boys Go To Jupiter Review comes down to this:

• It’s not “normal,” and that’s the point.
• You will see an alien donut, a hot dog stand philosopher, and a song about oranges in the same 90 minutes.
• It’s a movie that wanders, but never in a boring way.

When it’s over, you might feel like you just came back from the strangest vacation to a Florida that doesn’t exist on any map. And honestly? You might wish you could go right back.